G.B. Caird: The Placement of History Within Biblical Interpretation

Caird presents the reader with an alternate view of understanding the Bible. Whereas Bultmann focused on teaching the application of mythology within the Bible, Caird presents a study of words, or a study of eschatological proportion. Caird claims that the Bible is perhaps, a metaphor for existence and personal reflection. He proves this through different passages, and claims three conclusions about Biblical passages: 1) the Biblical writers believed in a beginning and an end, 2) the words expressed were metaphorical end-of-the-world language, and 3) people misinterpret these metaphors in the literal sense.

Caird understands the Bible in a historical and purpose sense. He believes the Bible should be read and understood in the historical mode. He also believes the intention of the author should be fully grasped, before interpretation. He views interpretative meaning as merely interpretation, and claims the interpretative events are metaphors for something else.

Also, Caird also asserts the eschatology of the words in the Bible – being that, they mean what they are. Therefore, when something is stated in a Biblical passage, then it is truth within that passage for that writer during that time. I believe this is a healthy way to understand the Bible, because you are not thrusting your own experience and your own intentions upon something that did not originate from you or your experience.

I, however, do believe that people can interpret Scripture to their own whims. But I classify this as interpretation, not as truth – the only truth being that eschatological reading based upon history and the intention of the author. Caird asserts any interpretation beyond what is true to history and the author is misinterpreted, and he continues by stating some problems this type of interpretation have caused, such as the ‘day of the Lord’ (Anno Domini) and the ‘latter end of days.’

Eschatology is important for understanding the Bible, especially if you believe the Bible was written by human hands and not divine hands. If you believe solely God wrote the Bible, then neither I, not Caird, can help you, because the divine cannot be questioned. However, if you are willing to believe that human hands wrote the Bible, and each author had their own intentions in writing his or her specific passage, and each author lived in a historical period with an experience and a judgment, then the application of eschatology is important. By understanding the placement and meaning of the words in the exegetical process through the application of eschatology, you can unravel the mysteries behind the lines and passages. There are patterns in the Bible, and the Biblical authors expressively used these patterns to their advantage. There are also literary expressions used throughout the Bible in pattern to other books that, if understood, reveal great details about what the author was intending to say about society and culture. Recognizing these facets is something Caird impressed upon the Biblical world. I thank him.

(This short essay was written for a class on Biblical methods and interpretation throughout Christian history.  Today my feelings are slightly different from when I wrote this back in 2002: using historical criticism of the Bible is a helpful tool, but beyond a tool, we must still rely on the authority of Jesus in our relationship with God as the prime end of how we should interpret the scriptures.  Understand cultural implications and the historical significance is important to illuminating the lessons intended within the specific work, but even our interpretations must be subjected to our own cultural worldview and interpretation of fact.)

Painted Skin, 画皮

Although based on a short story by Pu Songling called Painted Skin, the movie has very little to do with the original except for the chilling actions taken by some of the characters, such as the ripping of hearts from the chest, and a demon masquerading as a beautiful women by wearing human skin. That being said, Painted Skin is not such a scary movie, at least not as scary as the advertising promotes.

Scariness aside, Painted Skin is a multifaceted love triangle. It is a fantastic film, one with riveting action sequences, creative ideas and amazing special effects. There were moments watching it when I could not pull away. What is more exciting than a battle between ancient demons and super heroes, all based on the secret love for each other they hold inside? Although like most Chinese fantasy films, the composition is baroque and exaggerated, but that is part of the draw, especially since the turbulence is done so well.

What was most surprising though, was the accomplishment and wonder that comes from the movie. A film like this could have easily meandered into nihilism, but Painted Skin manages to stay afloat through the power (and destruction) that foolish, unbounded love can bring upon people, as well as through a healthy respect for the powers beyond this world. I had expected the film to end like most Chinese films, but Painted Skin does not disappoint.